floralls:

(by Sarah Ryhanen)

wanderixg:

Possessions

anotherdayforchaosfay:

thebestoftumbling:

baby meeting cat for the first time

Cat person right there. 

kowskie:

Cool another cartoon for me to cry over

stylizedstudying:

apps-and-academia:

raincoffeebooks:

Dear appblrs if you want to save some money and not spend hundreds of dollars on prep books these are some nice alternatives. (Both these files belong to me. )

Spread the word! Good luck studying :) 

SAT 

AP

I may have some additional stuff in october (past sat & psat exams) 

THANK YOU

DO NOT SCROLL PAST THIS. 

I REPEAT, DO NOT SCROLL PAST THIS. 

GUYS. THIS IS LITERALLY A MASTER POST OF SAT & AP BOOKS SCANNED ONTO THE LAPTOP. LITERALLY EVERY SINGLE PAGE. AND THE QUALITY IS AMAZING. AND THERE ARE SO MANY. FROM BARRON’S AP BIO TO MCGRAW HILL’S SAT REVIEW. SERIOUSLY CHECK THIS OUT.

YOU CAN SAVE SO MUCH MONEY BY USING THESE. THANK YOU YOU SWEET KIND SOUL. YOU ARE AN ANGEL, A GIFT FROM HEAVEN AND I HOPE ALL YOUR DREAMS COME TRUE. 

riibrego:

everyone’s favorite good luck charm :’)

iceepr1ncess:

literally nothing feels better than being loved by someone who hates everyone

stickydoona:

-The Famous Four-
1-2-3-4

ani-r:

Let’s talk about trees - a practical how-to for populating your natural environments and landscapes with trees and plantlife in drawings

I’ve seen a lot of people who really want to do nature/landscape drawings but struggle with filling the space. I’m by no means an authority on this matter, but I thought I’d share my observations and ideas about filling nature shots with cool stuff because I really like drawing them and spend a lot of time doing it.

Some observations:

• It’s hard to figure out what’s in a natural landscape unless you take time and really make a mental inventory of everything you see. Go explore and memorize
• Draw from life and references
• It’s too easy to fall into the habit of making ‘convenient shapes’ with trees and branches. Look for alternatives, examine how abruptly branches grow into different directions and split.
• Mix and match. I never draw a scientifically exact tree species, I mix the relevant qualities from the kinds of trees I know that fit the image. Combine stuff you’ve seen and your imagination.
• I try to ‘layer’ the vegetation. A forest looks empty with just trees. Think about the medium and low-height vegetation and bushes and then what’s closest to the ground and ON the ground.
• Take into account what you want to convey with the vegetation; seasons, is the environment lush or harsh, is it creepy or idyllic?

If you like this, please do reblog but do not redistribute/reupload or modify in any way without my written consent.